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House M.D.: The Man Who Sees Everything

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Synopsis
After a fatal crash on the 405, Isaac Burke wakes up in 2004 as an internal medicine fellow at Princeton-Plainsboro, just one day before the events of the House M.D. pilot. He possesses "Transparent World" vision, allowing him to see internal biological processes in real-time, and a "Memory Palace" containing every detail of the eight-season show. To avoid Gregory House’s dangerous curiosity, Isaac must use "Social Deduction" to mask his meta-knowledge as lucky guesses. However, as he alters the timeline to save lives like Amber Volakis, he realizes that being the only person who knows the future makes him the hospital's biggest liability.
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Chapter 1 - Chapter 1 : Awakening

[Princeton-Plainsboro Teaching Hospital — November 15, 2004, 2:47 PM]

The coffee machine gurgled like a dying man, and Isaac Burke opened eyes that weren't his.

Fluorescent light. The buzzing kind, the kind that turned skin yellow-green and made everyone look halfway to the morgue. His cheek was pressed against a laminate table. A puddle of drool had collected near his left arm. His left arm, which was thinner than it should have been, with veins he didn't recognize and knuckles shaped wrong.

Isaac sat up. Too fast. The break room tilted — industrial clock on the wall, vending machine with a dent in the lower panel, a microwave coated in someone else's reheated lasagna. A hospital break room. Generic, institutional, could-be-anywhere.

Except he wasn't anywhere. He was somewhere specific. He just didn't know where yet.

His last memory: the 405 freeway, 11:47 PM, headlights coming from the wrong direction. A Honda Civic — white, crumpled front end — crossing the median like the laws of physics were a suggestion. The steering wheel punching into his chest. Glass in his mouth. The taste of copper, then nothing.

Isaac touched his face. Wrong nose. Wrong jawline. Stubble where he'd been clean-shaven for thirty-two years. He turned toward the microwave door and caught his reflection in the dark glass — a stranger stared back. Late twenties, angular features, dark hair that needed a cut. The kind of face that disappeared in a crowd.

A name tag clipped to a white coat he was wearing.

I. BURKE.

His hands — Burke's hands — were shaking. He grabbed the edge of the table and squeezed until the trembling stopped or at least became something he could manage. Breathe. Think. Panic later.

The body had muscle memory. He could feel it — the way his posture defaulted to clinical straight-backed, the way his fingers curled around the table edge with a surgeon's economy of motion. Whoever Isaac Burke had been before, he'd been trained. Medical training, at a guess, given the white coat and the hospital setting and the stethoscope jammed in his pocket like an afterthought.

Isaac stood. His knees worked. His balance held. One problem at a time.

A nurse pushed through the break room door — middle-aged, scrubs with cartoon bears on them, badge that read JANET — and Isaac's vision cracked.

It split open like a curtain being ripped from a window, and behind the surface of her skin he could see everything. Arteries running red-bright along her neck, branching into capillaries so fine they looked like thread. The four-chamber pump of her heart clenching and releasing behind her sternum, mitral valve fluttering with a whisper of regurgitation. Blood cells — he could almost count them — rushing through vessels, pooling where her ankles had swollen from a twelve-hour shift.

His stomach heaved.

Isaac made it to the trash can in time. Barely. He retched until his ribs ached and his eyes watered and the vision faded — slowly, like a television losing signal — back to normal.

"You okay, hon?" Janet's voice. Concerned but not alarmed. She'd seen residents vomit before.

"Bad coffee," Isaac managed. His throat burned. "I'm fine."

"You look pale. Maybe sit down?"

"I'm good. Thanks."

She left. Isaac stood over the trash can, breathing through his mouth, trying to understand what had just happened. He'd seen inside her. Not metaphorically, not imaginatively — he'd seen the literal interior of a living human being, rendered in color and motion and a level of anatomical detail that shouldn't be possible without a CT scanner and several million dollars of imaging equipment.

Whatever this was — hallucination, psychotic break, impossible supernatural power manifesting in a dead man's body — it was real enough to make him throw up.

Isaac wiped his mouth with the back of his hand and looked around the break room again. Institutional beige walls. A bulletin board with union flyers and a sign-up sheet for a holiday potluck. A window showing gray November sky and a parking lot.

And past the break room door, through the hallway glass, he could see it.

The whiteboard.

It stood in a conference room, angled so he could read the dry-erase scrawl from where he was standing — differential diagnosis columns, symptoms listed in shorthand, a red marker circled around "ANA NEG" like someone had stabbed the board with it. Beyond the whiteboard, an office with glass walls. A desk covered in papers and a tennis ball and a portable television. A leather chair. A cane — wooden, curved handle — propped against the desk like it was waiting for its owner.

Isaac's legs went numb.

He knew that room. He knew that whiteboard, that desk, that cane. He'd watched them for eight seasons and a hundred and seventy-seven episodes, curled on a secondhand couch in a studio apartment in Burbank, eating takeout and burning through a streaming subscription he couldn't really afford.

Princeton-Plainsboro Teaching Hospital. Department of Diagnostic Medicine. Dr. Gregory House's domain.

He was in House M.D.

The corridor stretched in both directions — familiar architecture he'd only ever seen from camera angles and wide shots. Real tile under his shoes. Real antiseptic in his nose. Real fluorescent buzz in his ears. This wasn't a set. Wasn't a dream. Wasn't the last firing of oxygen-starved neurons in a crumpled car on the 405.

This was a place. And he was in it. And the body he was wearing had a name tag that said it belonged here.

---

[PPTH Men's Room — 3:15 PM]

Isaac locked the bathroom stall and sat on the toilet lid and pressed his palms against his eyes until he saw nothing but pressure and dark.

Okay. Facts.

He'd died. The car on the 405, the Honda crossing the median — that had happened. He was certain of it the way you're certain of gravity. His body — his real body, five-foot-ten, brown eyes, the scar on his left thumb from a childhood bike wreck — was gone. Dead. Cooling on a slab or already bagged in an LA county morgue.

This body was Isaac Burke. Twenty-eight, maybe twenty-nine. Medical professional at a fictional hospital that was now, apparently, not fictional at all. Equipped with a white coat, a stethoscope, and a set of hands that knew their way around a scalpel.

Also equipped with whatever that vision thing had been.

Isaac lowered his hands and stared at the bathroom stall door. The grain of the metal was just metal. No X-ray vision, no biological overlay. Normal sight. Whatever had happened with the nurse, it had stopped — or he'd stopped it, he wasn't sure which.

He pulled the wallet from his back pocket. Driver's license: Isaac Burke, 196 Witherspoon Street, Princeton, New Jersey. Date of birth: March 3, 1976. Organ donor. The photo matched the face he'd seen in the microwave.

Credit card. Debit card. Insurance card — PPTH employee plan. A crumpled receipt from a gas station. Twelve dollars in cash.

The flip phone in his coat pocket was a Nokia. 2004, then. The date on the phone's home screen confirmed it: November 15, 2004. The show had premiered — would premiere — tomorrow. November 16, 2004. The pilot episode. Rebecca Adler presenting with seizures in a kindergarten classroom.

Tomorrow.

Isaac closed the phone and stared at it. His hands were steady now. Fear had burned through him and left something colder behind. Clinical assessment. What were his resources? What were his options?

He knew the show. Not perfectly — some episodes blurred together, some details had faded in the years since he'd watched them — but he knew the broad strokes. Eight seasons of diagnoses, character arcs, romantic subplots, crises. He knew who lived. He knew who died. He knew what House would do and when he'd do it.

That knowledge was either the most valuable thing he possessed or the most dangerous. Probably both.

Isaac stood, left the stall, and went to the sink. He ran cold water over his wrists, the way someone had once told him helped with nausea. The mirror showed Burke's face — unfamiliar, still wrong, but his now whether he liked it or not.

He dried his hands on a paper towel that was already disintegrating. Dug through Burke's coat pockets one more time and found what he needed: a set of keys on a leather fob. The fob had an address stamped into it. 196 Witherspoon Street. Same as the license.

Somewhere in Princeton, there was an apartment full of a dead man's things that could tell Isaac who he was supposed to be.

He checked the hallway. Clear. The diagnostics conference room was empty — House hadn't arrived for whatever brought him in this late in the afternoon, and the team would be wherever they scattered between cases.

Isaac Burke walked out of Princeton-Plainsboro Teaching Hospital with a stranger's keys in his pocket and a dead man's name on his coat.

The parking lot was gray and cold. November in New Jersey. He found the car — a 2001 Civic, silver, unremarkable — by pressing the key fob until something beeped. The engine turned over on the second try. Heat kicked in after three blocks, weak and smelling of dust.

The address on the fob was fourteen minutes away. Isaac drove with both hands on the wheel and the radio off, because the silence was the only thing that made sense.

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