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Foundations of Kethara

Julius8925
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Synopsis
When the sky turned white and the world went silent, eight billion people went about their ordinary lives — eating breakfast, arguing about traffic, tucking their children in, falling asleep mid-sentence on living room couches. Lucas Crane was grilling burgers in his backyard and losing badly at a game of horseshoes against his twelve-year-old nephew. Then came the sound. Not loud. Not dramatic. Just a single, clean tone, like the universe had struck a tuning fork against the edge of everything — and in the half-second that followed, the Earth, the burgers, the horseshoes, and every ordinary Tuesday-afternoon life simply stopped. Lucas wakes up on a world called Kethara. The sky is the color of a bruise. There are two moons. The air tastes like copper and pine. Around him, thousands of humans are screaming, crying, praying, or already running — because the things that live on Kethara are already hunting. A system notification floats in the air before his eyes, clinical and indifferent in the way only cosmic bureaucracy can be: [WELCOME, SUMMONED. YOUR CLASS HAS BEEN ASSIGNED. CLASS: Shelter Builder. TIER: F. GOOD LUCK.] The laughter starts almost immediately. While others receive warrior abilities, fire magic, beast-taming gifts, healing powers, and combat skills that make them immediately, visibly dangerous, Lucas receives the power to build a shelter. A basic one. Out of wood. That can, theoretically, level up over time. That's it. No sword. No spell. No claws or speed or strength. Just four walls, a roof, and a door — assembled from ambient materials by a man who, until forty-eight hours ago, made his living as a mid-level logistics coordinator for a shipping company and considered assembling flat-pack furniture a weekend adventure. He is, by every measure the new world has already established, the least threatening person on Kethara. He is also, though nobody knows it yet — not the warriors, not the mages, not the ancient alien species who have lived on this world for centuries, not even Lucas himself — the only person on the planet who can save it. The Ground-Singer's Shelter is the story of Lucas Crane's survival, growth, and transformation across a world designed to kill everything it touches. It is the story of a living building that begins as four wooden walls and ends as something that breathes, thinks, and loves in its own slow, structural way. It is the story of the people who find refuge within those walls — the nurse who turns a medical bay into a miracle, the teenage boy who grows up planting things in alien soil, the warrior who learns that protecting and conquering are not the same thing, the diplomat who believes in conversation until it almost kills her and then believes in it a little harder, and the alien being made of clicks and gestures who becomes, quietly, one of the most important friendships Lucas has ever known. It is a story about what people build when they have nothing — and what they become when what they've built starts to build them back. On Kethara, there are beings who can level mountains, cast fire across horizons, and bend reality through sheer combat ability. Lucas cannot do any of these things. What Lucas can do is make a place where people feel safe. And on a world engineered by ancient beings as a cosmic proving ground — a place designed to test every species in the universe for the capacity to do one specific thing — it turns out that making people feel safe is the most powerful force in existence. He doesn't know that yet. For a very long time, he just tries not to get eaten. But the walls grow. The roots spread. The shelter breathes. And slowly, impossibly, the weakest class on a world full of monsters begins to look like something else entirely.
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Chapter 1 - Prologue: Before the Tuning Fork

The Architects did not die.

That is the first thing to understand, and also the most important, though you will spend a long time reading before it becomes relevant. The Architects did not die — they simply ran out of time to keep trying, which is a different thing, and one they would correct you on if they were currently awake enough to bother.

They built Kethara in an era so distant that the stars visible from its surface have long since moved to different positions in the sky, unhurried as everything that old tends to be. They built it carefully, which is to say they built it with love, because the Architects believed — on the basis of considerable evidence collected across an embarrassingly long existence — that careful and love were synonyms. Every wall they raised, they raised with intention. Every predator they seeded into the soil, they seeded with purpose. Every fracture in the sky, every poisoned river, every storm that moved like it was thinking — all of it designed. All of it pointing toward a single question they had been trying to answer for longer than most civilizations manage to exist.

The question was simple:

Is there anyone out there who knows how to build a home?

Not a fortress. Not a monument. Not a weapon disguised as architecture, which is what most species eventually construct when frightened enough and given sufficient raw materials. A home. A place that holds people not because the walls are too strong to break but because something inside the walls makes breaking them unthinkable. A place that grows not because its builders are hungry for territory but because more people need to fit inside. A place that remembers the people who have lived in it, and is somehow, measurably, better for their having been there.

The Architects had searched for a very long time.

They found warriors by the billions — species whose first response to an unknown environment was to establish dominance over it. This was understandable. They did not fault the warriors. Dominance is a reasonable opening strategy when the universe keeps trying to eat you. But dominance does not build homes. Dominance builds perimeters, and perimeters eventually become prisons, and prisons eventually collapse inward under the weight of everything they were meant to keep out.

They found mages and scholars and healers and speakers-to-animals and benders-of-probability and at least one species whose entire survival strategy was based on being so philosophically interesting that predators got distracted trying to figure them out. All remarkable. None of them the answer.

What they needed was rarer than magic. Rarer than combat genius. Rarer, even, than wisdom, which the Architects had learned was surprisingly common in species that had survived long enough to develop opinions about it.

What they needed was someone who, standing in the most dangerous place imaginable, with every possible power available to choose from, would choose to build a door.

Not because they were ordered to. Not because they calculated it was optimal. But because somewhere in the deep, instinctual, unexamined core of who they were, they believed — despite all current evidence to the contrary — that if you made a place safe enough, warm enough, real enough, people would come. And if enough people came, and stayed, and felt safe, the place would start to become something more than walls.

It would become a reason.

And a reason, the Architects had found, was the only thing in the universe capable of holding reality together when reality decided it no longer wanted to bother.

They built Kethara. They seeded it with teeth and storms and things that lived in the dark below the dark. They engineered a system of abilities and tiers and rankings that would, in theory, produce exactly the kind of desperate, pressured, mortal crucible in which genuine character reveals itself. They built a construct — patient, ancient, more tired than they realized — and tasked it with maintaining the proving ground until the answer arrived.

Then they waited.

Species came. Species struggled. Species occasionally thrived, for a while, in the way things can thrive when they are genuinely good at the particular skill of surviving. Warriors built walls. Mages burned the sky. Diplomats negotiated temporary peaces that collapsed into permanent wars. And every single one of them, when the proving ground finally broke them the way proving grounds are designed to do, left the same thing behind:

Ruins.

Impressive ones, mostly. The Architects were not without aesthetic appreciation. But ruins nonetheless.

The construct maintained. The construct waited. The construct grew, across uncountable cycles, very, very tired.

And then — on a Tuesday afternoon, to be precise, on a small blue planet at an unremarkable address in a mid-tier spiral galaxy — a man lost badly at horseshoes to his twelve-year-old nephew, laughed about it, and went to check on the burgers.

───

The Architects, dormant in their long, dimensional sleep, did not stir.

They would not stir for a very long time yet.

But something in the construct — that old, exhausted, faithful mechanism that had been watching and waiting since before the mountains of Kethara had decided to stop moving — something in it flickered.

It had processed millions of summoning events. Billions of ability assignments. It had watched species receive gifts of fire and steel and speed and sorcery with the detached efficiency of long practice.

It had never, in all those cycles, felt anything it would have described as hope.

The notification appeared in the system queue. Routine. Unremarkable. One of thousands processing simultaneously.

Class assigned: Shelter Builder. Tier: F. Host: Lucas Crane, Human, Earth.

The construct processed it.

And then, for the first time in longer than it could accurately calculate, it processed it again. Not from confusion — its processing had not degraded that far. But from something that, if the construct had possessed a vocabulary for the interior states of ancient, semi-conscious mechanisms, it might have called recognition.

Somewhere on the surface of Kethara, a man with no combat ability and no magic and no particular reason to survive was waking up in red soil.

The construct watched.

The burgers, it should be noted, were slightly overdone by the time any of this became irrelevant.

Lucas Crane would have been annoyed about that, if he'd had a moment to think about it.

He did not.

He had walls to build.