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Chapter 5 - The Cataloguing of Pain

The little girl's shoe lay in the open box, a piece of mundane innocence at the heart of a bastion of organized mystery.

It wasn't just evidence; it was both a death sentence and a conviction.

Arthur Hemlock stared at it, feeling the faint memory echo brush the edges of his consciousness like a cold draft. The scent of wax, the sensation of falling, a scream caught in his throat that wasn't his own.

"And now that you have touched her echo, it will feel your presence too. It will begin to search for you. So, what is your choice, Mr. Hemlock? Will you face it alone, or with us?"

Ilara Vance's final words were not a question, but the closing of a cell door. She had laid the facts before him with surgical coldness: the monster was real, and it was coming for him.

The choice she offered wasn't between freedom and bondage, but between dying alone in the dark or possibly dying alongside those who held the lanterns.

Arthur lifted his eyes from the shoe and looked at Ilara. He saw in her gray eyes not pity, but evaluation.

She was measuring his response, cataloguing his reaction.

In that moment, Arthur understood the nature of this place. The Archive wasn't a sanctuary; it was a laboratory. And he wasn't a survivor being rescued, but a new specimen being introduced into the system.

He sighed, a breath that came from the depths of his soul, carrying with it the remnants of his old world, a world of simple facts and comprehensible crimes. "Do I really have a choice?" he said, his voice hoarse.

"There is always a choice, Mr. Hemlock," Ilara replied calmly. "But rarely is there a wise one."

That was the answer. Straightening in his defeat, he said clearly, not to her, but to himself: "I'll do it. I'll cooperate."

Ilara didn't smile. She showed no sign of triumph.

She gave a slight nod, as one would to confirm an expected outcome. She closed the lid of the box containing the shoe and returned it to its place on the towering shelf with silent precision.

"A wise decision. Now, the real work begins. Follow me."

She led him through the silent hall, the echo of their footsteps the only sound that broke the absolute stillness.

They entered through a side door Arthur hadn't noticed before, a door that led to a narrower, more brightly lit corridor. Unlike the main hall with its quasi-religious feel, this part of the building was practical and sterile.

The walls were painted white, and the air carried a faint smell of disinfectant.

They stopped in front of a heavy metal door. Ilara opened it with a complex key she took from her pocket. The room inside was a strange mix of an academic office and an anatomy lab.

There were long steel tables, and glass cabinets filled with strange-looking surgical tools, and on the walls were diagrams and charts.

But they weren't drawings of the human body.

They depicted what appeared to be glowing nervous systems, maps of energies, and classifications of what Arthur could only call "the soul."

"Welcome to the Classification Wing," Ilara said as she closed the door behind them. "Before you can face anything, you must first understand yourself.

You must understand the nature of the weapon you have been forcibly given, which is also the nature of your weakness."

She stood in front of one of the complex diagrams on the wall. It showed a transparent human form, with colored lines of energy flowing through it, converging at certain points. "When a person's 'sensitivity' is awakened, their consciousness begins to interact with 'The Veil'in a unique way.

Just as light can be refracted into different colors through a prism, an individual's consciousness is refracted into a specific 'Path.' Each Path is a unique relationship with the hidden reality."

She pointed to a glowing blue line on the diagram. "There are 'The Seers,'who can see the ripples of The Veil, glimpses of the past or potential future.

But their visions are often symbolic and fragmented, and each glimpse costs them a piece of their personal memories, as if their minds pay for each new piece of information with a piece of the old."

Her finger moved to a pulsating red line. "And there are 'The Weavers,'who feel the threads of fate that connect people and events. They can tug a small thread to change a minor probability, or tie a knot to impede another's path.

But every manipulation causes a cosmic reaction, a 'debt' of bad luck they must repay from their own lives."

She continued, pointing to other lines of different colors, "There are 'The Binders' who manipulate the echoes of death, and 'The Dreamers' who navigate the realms of the subconscious.

Each Path has its abilities, and each ability has a 'cost.' This is the first and most important rule of the Archive, Mr. Hemlock: The Veil gives nothing for free.

It is a closed system. To gain energy, another energy must be sacrificed. A memory, years of life, a piece of your sanity, a sense from your senses... the price is always paid."

Arthur listened, his analytical mind clinging to this structure, to these rules. It was terrifying, but it was logical in its own twisted way. It was a system, and that was something he could understand. "And me?" he asked. "Which Path do I belong to?"

Ilara turned and looked at him directly. "Your first experience was an excellent diagnosis. You didn't just see the event as a detached vision, as a Seer would. You felt it. You felt the wood of the floor under knees that weren't yours. You smelled scents that weren't there. You merged with the echo. You belong to 'The Path of Echoes.'You are an 'Echoist.'"

"Echoist..." Arthur repeated the name, feeling it sound strange on his tongue.

"Your primary ability is to touch objects and read their sensory history. You can experience the moments imprinted on them. It is an incredibly powerful investigative ability," Ilara said.

Then she paused for a moment and added with a cautionary tone, "But it is also one of the most dangerous Paths for the mind. Its cost is very direct: you don't just read the memory; you absorb the emotional trauma it contains. Each use transfers a part of the pain, terror, and panic of others into your consciousness, where it stays.

Excessive use without sufficient psychic protection will lead to the erosion of your identity, and you will become nothing more than a collection of the echoes of other people's pain."

Arthur felt a cold grip squeeze his heart. So this was his ability: to feel the worst moments of other people's lives as if they were his own.

It was a metaphysical version of his work as a detective, but a thousand times more hideous.

"Now that you know what you are," Ilara said as she headed to one of the glass cabinets, "it's time for your first task. It is also your only means of survival in the next few days."

She took out the small wooden box that Arthur had found in the park and placed it on one of the steel tables. "The entity that is haunting Lily, and that is now haunting you, is connected to this echo.

It is drawn to it. To protect yourself, you must understand your enemy. And to understand it, you must return to the crime scene."

Arthur stared at the box, feeling fear return with a vengeance. "You want me to... touch it again? To deliberately go back into that vision?"

"Not exactly," Ilara corrected. "The First Touch was chaotic and violent. This time, it will be a directed 'Second Touch.' You won't just be a victim of the echo; you will be an investigator within it.

Your task is not to relive the experience, but to analyze it. Look for a detail you missed the first time. A face in the shadows, a spoken word, a symbol on a wall.

Anything that can tell us about the nature of the 'thing' that did this, or about its current location."

She opened one of the drawers and took out an old, modified stethoscope connected to fine wires. "This is a focusing tool. It will help you isolate yourself from external noise and focus on the frequency of the echo. But it will not protect you completely.

Remember, the echo is a recording, but sometimes, the entity that made the recording feels that someone is replaying its tape. You will be looking into the abyss, and it is very likely that it will look back at you."

She placed the box and the tool in front of Arthur. "This room is safe and shielded. You will not be disturbed. When you find something, anything, come out and tell me."

Then she turned and left, closing the heavy metal door behind her. The sound of a lock turning from the outside, and a heavy bolt sliding into place, was heard.

Arthur found himself alone in the sterile room, with the steel tables and strange diagrams, and the wooden box that was the beginning and end of everything. He was trapped. And his only salvation lay in willingly diving into the depth of the nightmare that had shattered his life. He looked at his trembling hands, then at the box. This was not courage. It was the final, desperate act of a man with no other choice left

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