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Chapter 12 - The Bone Lantern

The town of Darrington lay buried beneath fog for most of the year, a place where sunlight felt like a myth and the scent of damp earth clung to every coat. People kept to themselves, eyes down, routines tight. It wasn't just small-town stoicism—it was fear. Fear of what lay at the edge of town: the Bellgrave Marsh.

Nobody went into the marsh after dark. Not since the Bone Lantern murders.

Ten years ago, five bodies had been found there—stripped of skin, hung like crude puppets from cypress trees, each with a strange lantern fashioned from bone and human fat burning beneath them. No killer had been caught. No footprints, no fingerprints. Just cold flesh and flickering flame.

Detective Mara Ellison had been a rookie then, fresh from academy, assigned to collect statements from sobbing parents. She never forgot the way the fog curled through the trees like it knew secrets, the way the victims' mouths had been sewn shut with fishing wire.

Now, a decade later, it had started again.

_________________________

The call came in at 2:13 a.m. A hiker had gone missing. Normally it wouldn't have warranted immediate attention—people got lost all the time—but when dispatch mentioned the location, Mara sat up straight. Bellgrave Marsh.

She arrived just before dawn. The sky was gray, leaking light like an old wound. Park rangers had cordoned off the area, but she pushed past the tape, her badge glinting under the thin morning drizzle. The smell hit her first—burnt meat and something older, like decay that had been waiting patiently to be noticed.

They found the body hanging ten feet above the ground, suspended by what looked like vines. But when Mara looked closer, she saw it was braided hair. Human hair.

The man's skin was gone, peeled from his body like an orange. His jaw was forced wide open, cracked at the hinge. Inside was a bone lantern, lit.

Her partner, Detective Ray Mendez, stood nearby, white as a sheet.

"This is the same," he muttered. "Exactly the same as before."

Mara nodded. She didn't trust herself to speak. Not yet.

She looked down at the swampy earth beneath the victim. No footprints. Again. As if the killer had floated.

_________________________

They combed through files from the old case, each one a photograph of cruelty. Victims of varying ages and genders, no connections between them, no common friends, no shared enemies. But each one had been last seen walking near Bellgrave Marsh.

"What if it's not a who?" Ray asked, voice barely above a whisper.

Mara shot him a look. "Don't start."

"I'm just saying. We've got five murders ten years ago. Then silence. Now another, identical in every way. And the way they're strung up... the way the lanterns glow... it's not natural."

"Stop."

But in the quiet that followed, Mara couldn't stop her own memory from surfacing. The night after the fifth body was found, when she'd walked into her apartment and found a note waiting for her, handwritten in perfect cursive:

"You should've looked deeper."

No envelope. No fingerprints. Just the message. She hadn't told anyone.

Until now.

Ray leaned back in his chair. "You think it's directed at you?"

"I don't know," she said. But her voice was hoarse.

_________________________

They brought in experts. Forensics confirmed the new body was flayed post-mortem, as with the others. The lantern was crafted from a human femur, polished and hollowed, with a wick inside made from braided muscle. Fat had been rendered into a kind of tallow. Medical precision. Surgical skill.

"What kind of person does this?" Ray asked.

Mara stared at the lantern. It flickered in the evidence room, still alight, though it had been burning for over 12 hours. That shouldn't be possible.

She said nothing.

_________________________

The next victim was a twelve-year-old girl.

Same pattern. Disappeared from her backyard, found strung up in the marsh. A small bone lantern glowed beneath her feet, the flame wavering as if breathing.

Mara sat in her car afterward, unable to stop shaking. She didn't know if it was the brutality, or the pattern becoming clear.

Ten years ago. Five victims.

Now, two already.

Three more to go?

She couldn't sleep. Could barely eat. She drove to the marsh every night, headlights slicing through fog, pistol resting in her lap. Waiting.

On the fourth night, something changed.

_________________________

She saw a light deep in the trees, a pale flicker moving where no path lay. She followed it, boots sinking into wet ground. The deeper she went, the colder it got. Not natural cold. Dead cold.

The lantern moved ahead of her, not swinging like it was held—but gliding.

She emerged into a clearing surrounded by dead cypress. At the center stood an old shack, sagging with rot. The light vanished.

She raised her weapon, stepped forward.

Inside, the walls were covered in parchment. Human skin, stretched and dried. Drawings and diagrams—anatomy sketches, symbols, ritual instructions. At the center of the shack sat a table. Upon it, another lantern, this one carved from a skull.

A voice spoke from behind her.

"You took your time."

She turned.

An old man stood there, dressed in a tattered coat, beard reaching his chest, eyes dark and endless.

"Dr. Ambrose Weller," he said with a bow. "You've been searching for me."

She blinked. That name. He'd been one of the original suspects ten years ago—a disgraced surgeon who vanished during the investigation.

"You killed them."

"I collected them," he corrected. "There's a difference. You see, death is just the beginning. These bodies, these lights—they're not trophies. They're vessels. Each one carries a spark of something older."

"You're insane."

He chuckled. "Not insane. Chosen."

He gestured around the shack.

"They told me how to do it. The ones in the water. You hear them too, don't you?"

Mara opened her mouth to speak—and stopped. Because she had heard something. That whisper in the marsh, like voices just beneath the surface. She'd told herself it was the wind.

Ambrose stepped closer. "You don't have to fight it. You came here because part of you already knows."

"No," she said, though her voice shook. "This ends now."

But as she raised her weapon, something moved in the trees.

Figures. Tall. Thin. Wet.

They stepped into the clearing, their skin gray and slick, mouths open in silent screams. Each one held a lantern. Each one burned with the same pale flame.

Ambrose smiled. "They are witnesses. And they've chosen the next vessel."

Mara fired. Once. Twice.

Ambrose fell, blood gushing from his chest.

The creatures did not move.

She ran.

_________________________

By dawn, she returned with backup. The shack was gone. No signs of struggle, no blood. Just mist curling through the trees.

But the parchment had followed her.

Sheets of skin now lined her apartment walls, though she had no memory of putting them there. The lanterns appeared next, one on her desk, another in her closet, each burning quietly with that same impossible flame.

And always, always, the whispering.

_________________________

Three months later, the murders stopped.

People said the killer had died, or moved on. The marsh grew quiet again.

Detective Mara Ellison filed for early retirement. Moved into the woods. Alone.

Some nights, hikers still report seeing a woman walking the edge of the marsh. She carries a lantern made of bone, the flame never flickering, even in rain.

They say her eyes are black as tar. That her mouth moves constantly, whispering to the trees.

And that if you follow her deep enough into the fog, you won't come back out.

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