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Chapter 20 - out of the garden

The Blackbird was not a comfortable place to be.

It had nothing to do with the seats. The seats were fine. It had everything to do with the fact that Midoriya was sitting four feet from Kurt Wagner, who had the decency to look at the floor, and six feet from Kitty, who had the decency to look at the window, and neither of those distances felt like nearly enough.

Laura was across the aisle. Irma was beside her.

Somewhere over the Atlantic, while the engines held a steady drone and nobody said anything out loud, Irma turned her head slightly toward Kitty. Laura turned hers at the same moment. Kitty's expression changed just briefly, a flicker of something defensive, and then the three of them were having a conversation that produced no sound whatsoever and involved a lot of very controlled facial expressions.

Midoriya watched the coast of Europe through the window and did not ask.

Kitty tried, at one point, to explain. Something about how it wasn't what they thought, about where these accusations even came from 

Irma looked at her.

Kitty stopped.

"Mr. M told him," Irma said quietly. Out loud. For the record.

The rest of the flight passed in silence.

Kurt had the good sense to teleport ahead when they touched down in Genosha. A soft bamf and a smell of sulfur, and then the seat was empty. Midoriya noted his absence the way you note the removal of a splinter with relief that lasted about four seconds before the deeper pain made itself known.

Genosha looked exactly like a country that had buried fifty thousand people in a single afternoon and decided to keep standing anyway. There was something in the architecture of it, the way the new construction rose alongside the older stone, the memorials worked into the ordinary streetscape that made the grief structural rather than decorative. It was woven in.

Magneto met them on the landing strip.

He walked down the line of disembarking X-Men with the bearing of a head of state doing a damage assessment, and then he reached Midoriya and stopped.

For a moment, he simply looked at him, the living, breathing, seventeen-year-old fact of him.

"Hello, young man."

"Hi, Magneto." Midoriya kept it simple. "Long story. I crawled out of my grave about six months ago. My powers are back. The Phoenix is on its way here." He met the older man's eyes. "Tell me what you need."

Magneto blinked once, which was probably the closest he came to visible surprise. Then he looked past Midoriya at Charles, who had come down the ramp.

"He's enthusiastic," Charles said mildly.

"I can see that."

The briefing was fast and grim.

Jean had already made contact with Genosha's outer defense line. The footage was three minutes old and showed her moving through a formation of the country's best-armed defense robots like they were paper sculptures, shredding them with casual, almost disinterested precision. One she'd held in the air, a forty-ton machine, and turned slowly, examining it, for nearly three minutes before letting it drop.

She wasn't in a hurry. She knew she didn't need to be.

Magneto had put out calls to everyone he could reach: the Avengers, the Fantastic Four, international response units. Some answered. Others hedged. The calculus for some governments was simple and ugly: this was a mutant problem in a mutant nation, and waiting to see how it resolved itself cost them nothing.

Some came anyway.

It wasn't enough, and everyone in the room knew it.

Midoriya stood at the back of the briefing circle with his arms crossed, tapping one finger against his bicep in a slow, repetitive rhythm. His powers had come back yesterday. Jean Grey had leveled part of the Xavier Institute last night. The Avengers had just been reported down. And everyone here was still talking.

He felt a presence at his shoulder.

He turned.

Kurt was standing there, blue, careful, with the expression of someone who had practiced an opening line and abandoned it on the way over.

"Izuku," he started. "I just wanted to "

"Three seconds," Midoriya said. His voice was very quiet. "Walk away. Right now."

"I think if we just talk about this "

"Two."

"It's not what you think. It can be fixed."

The word fixed was still leaving Kurt's mouth when Midoriya's left hand moved.

The punch was clean and direct and carried six months of suppressed fury in a straight line from his shoulder to Kurt's jaw. The crack of it turned heads across the courtyard.

Kurt went airborne.

He hit the ground eight feet away, rolled, and came to a stop on his back. And Midoriya stood looking at his own left hand at the way the skin along the forearm had shifted, darkened, restructured itself into something that wasn't quite flesh anymore, something with edges to it. He turned his hand over. His right eye was warm. He reached up and touched the corner of it, and his fingers came back faintly luminescent.

Spikes at his sternum. He could feel them without looking, the familiar geography of his power reasserting itself against the inside of his ribs.

Hello again, some part of him thought. I almost missed you.

He almost meant it.

Kitty was already running to Kurt. Midoriya watched her go and felt the loss of it land somewhere quiet and deep, and then he turned away from both of them.

Charles had rolled to him.

"Izuku "

"How many memories did you plant?" Midoriya's voice was still controlled. Barely. "The Phoenix trigger. What else is in there? What else are you hiding from all of us?"

"This isn't the time."

"Answer me."

Before Charles could, Magneto's voice cut across the courtyard from the communications station.

"The Avengers are down. All of them."

The words landed like stones in still water.

Midoriya turned toward the coast.

Somewhere out there, fifty miles over open ocean, Jean Grey was coming. The Avengers were down. The defense line was gone. And he was standing in a courtyard waiting for a plan that was never going to be clean enough to matter.

He rose off the ground.

"Izuku " Charles raised one hand, and a psychic wall materialized in front of him, solid, shaped like intention, built from the Professor's considerable will.

Midoriya looked at it.

Then he pulled his right fist back and drove it through.

The psychic construct shattered. Charles was thrown backward from his chair by the concussive feedback, hitting the ground with a bloody nose and an expression of genuine shock.

Midoriya landed beside him. He looked down at the man for one long moment.

"Don't do that again," he said. "Don't try to stop me."

He turned toward the coast and flew.

The sonic boom hit Genosha like a thunderclap, rattling windows three miles inland.

Fifty miles out, over open water, the ocean was dark and huge and indifferent below him.

He stopped.

Hovered. Caught his breath not from exertion but from the accumulated weight of the last forty-eight hours pressing against the inside of his chest. His powers were back. Kirk had looked at the ground instead of meeting his eyes. The Avengers were down. Charles had planted things in his mind without asking.

The world had reached back in and grabbed him by the collar, the way it always did, and was hauling him back toward everything he'd spent six months learning to live without.

He hung in the air over the Atlantic and let himself be furious about it for exactly thirty seconds.

Then he saw her coming.

Jean Grey moved across the water like weather, like something atmospheric, beyond negotiation. The Phoenix corona surrounded her in a sheath of living fire that bent light around the edges, corona rippling in the slipstream of her passage. She was moving fast, and she was moving directly toward Genosha, and she didn't alter her course when she saw him.

She stopped twenty feet away.

The fire breathed around her. The ocean below reflected it in long orange ribbons.

"Hey, Jean," Midoriya said.

She looked at him. Behind the corona, her face was still hers, still Jean Grey, but the eyes were somewhere else.

"It's good to see you," she said. And she meant it. That was the strange part.

"Yeah." He held her gaze. "It's good to see you, too." A pause. "So why are you heading for Genosha?"

"I want to understand." Her voice was layered, hers, and beneath it something vast and ancient that used her vocal cords as a convenience. "What happened to me. What you did to me. It knocked things loose. I remember more now, and the Phoenix knows how to use it." She tilted her head. "We can do anything. You understand that? Anything we want."

"Jean." He kept his voice level. "You need to stop. Turn back. There are people on that island who have already lost everything once."

"You're not the Phoenix." The other voice came forward, the vast one, using Jean's mouth like a megaphone. "She is. She is the host. The chosen. The Phoenix doesn't come at birth, little boy; it travels, and it chooses, and it has chosen her. You are nothing. You are just another freak with stolen light."

Something in Midoriya went very quiet.

He turned the words over once. Let himself notice that they were designed to hurt, and that they had, and that underneath the hurt was something that felt almost like relief. He wasn't the Phoenix. He didn't have to be. He never wanted to be.

What he was was angry.

"I tried diplomacy," he said. "For the record."

He launched himself forward.

She hit him before he reached her.

The Phoenix blast came from both hands simultaneously, a wall of concussive force that caught him in the chest and sent him spinning sideways through the air, direction meaningless for a full two seconds before he arrested the tumble and came back around. His ears were ringing. He tasted copper.

He came in lower this time. She tracked him easily. The Phoenix read intent before the body executed it and brought her knee up as he closed the distance, catching him across the jaw with a blow that broke it clean. He felt the bone crack and then begin to knit itself back together before he'd finished falling, and he used the downward momentum to drive both hands into the surface of the ocean.

The shockwave hit her from below.

Jean flew upward with the impact, caught off guard for the first time, nd he was already rising after her, driving a double-handed blow upward into her sternum that launched her into the stratosphere. He followed, burning through altitude, and caught her at the apex of her arc.

She recovered faster than he expected. She always did.

She turned the Phoenix's full focus on him, not a blast, but a presence, a crushing psychic weight that pressed against the inside of his skull and tried to convince his nervous system to simply stop, and he gritted his broken-and-healing jaw and pushed through it. He wrapped a hand around her wrist and phased.

Both of them passed through each other.

Jean smashed into the water forty feet below. He came down after her, and she rose to meet him with her hands open, fire streaming from both palms.

He blasted back.

The void answered imprecise, rougher than he'd known it before, like a limb that had been asleep for months, but it answered. The two forces collided fifty feet above the ocean surface, and the shockwave flattened the water in a perfect circle beneath them, a hundred-meter ring of white turbulence spreading outward in every direction.

She sent him into the water.

He hit it at speed. The ocean received him without ceremony, cold, dark, immediate, and he sank, and the light above diminished, and he could feel the pressure of it on his eardrums and his ribs and the places where his body was still knitting itself back together.

In the dark, something spoke.

So now you know. You're not it.

He sank. Bubbles rose past his face.

Who are you?

I'm the darkest version of everything you've ever felt. The fear you tried to outrun. The rage you held back. The grief you didn't know what to do with. A pause. You've been feeding me your whole life. Fear, hate, love, joy, all of it. Everything you feel, I feel. Everything you are, I am.

You're me.

I'm the part of you that survives.

The light above was very faint now. His lungs weren't burning; his body had moved past that, but the dark was total, and the cold was absolute,e and something in him that was very old and very tired considered just staying here.

Then he understood.

He opened his eyes.

And he came back up.

He hit the surface going the other direction fast, vertical, a column of displaced water rising thirty feet behind him, and caught Jean Grey from below with both hands, launching her upward with everything he had. She went skyward, genuinely surprised for the second time. He followed immediately, and when she tried to stabilize, he was already there, hitting her across the face with a blow that sent her horizontal.

She caught herself. Turned. Wiped blood from the corner of her mouth with the back of one hand, her blood, which meant he'd gotten through the corona, which was new, and looked at him with something that was almost appreciation.

"Big mistake," she said.

"Mistake?" He held a position across from her in the empty air. His arms were regenerating. He could feel it, the slow, burning reconstruction of damaged tissue, his body consuming itself to pay the bill. "I've got exactly as much time as it takes to put you down. After that, we both die. So." He spread his hands. "Come on."

She came.

What happened next was not a fight in any conventional sense. It was two forces of nature making an argument in the physical world, and the world suffered for it.

They covered three hundred miles in the first exchange. Midoriya drove tendrils of void energy around her to grapple and drag, Jean incinerating them and blasting back, both of them ricocheting off the geography of the planet. A skyscraper in one country became a landmark in the battle. An underground impact created a fault line. The force of their collisions sent seismic readings around the world. Geologists in countries on the other side of the planet would spend weeks arguing about the source.

Volcanoes woke up.

Heroes arrived and were consumed, not killed, but swept aside, the collateral of energies that didn't have a scale for human durability. Charles tracked them through the interference as best he could and reported, with increasing alarm, that the psychic noise was growing.

Midoriya bled and healed and bled again. His jaw had broken four times. One arm had been effectively destroyed from the elbow down at one point and had rebuilt itself over the course of forty seconds while he held Jean off with the other. He hit her with everything the void gave him, and she answered with the Phoenix, and neither of them could find the ceiling of what they were carrying.

He got her away from the populated areas. That was the priority lead her, ddrewher, kept her chasing him instead of heading for cities. He took hits to do it. He let her land blows that would have killed anyone else and used the momentum to carry them both further from anything that could be lost.

She smashed him into a mountainside in a country he didn't recognize, and he went underground, and the mountain cracked from the inside.

He hauled himself out of the earth, screaming for more.

The void said: If I give you more, I manifest. We both lose control.

I don't care.

You'll die 

I don't care. He was on his knees somewhere in the rubble. The sky above him was wrong-lit with energies that shouldn't be there, the Phoenix's corona painting the stratosphere in colors that had no names. All that matters is stopping her. Give it to me.

Silence.

Then the void said: All right.

The pain was immediate and total. He felt himself changing, not slowly, not the gentle reassertion of familiar power, but a violent structural shift, his body rewriting itself from the inside out, mass redistributing, form expanding. He hit the ground screaming and came back up something larger.

He brought both hands down where Jean had been standing.

She'd already barely moved, instinct pulling her out of the impact radius, and his hands hit the earth instead, and the shockwave lifted her a hundred feet into the air.

She hit him with the full force of the Phoenix.

He hit her with the full force of the void.

The collision point was a location on the map that would not appear on any map afterward.

Reality cracked.

Not metaphorically. Something structural gave way, something that had been holding a particular shape for years, maintained by intention and precision and a power that someone had once decided to wield and had never entirely put down. The crack ran through the fabric of things with a sound that wasn't a sound, and then it was quiet.

He was on his back somewhere.

Both arms were damaged badly enough that he was aware of them only as a weight they were healing, slowly, but the process had moved below the threshold of his ability to feel it, which meant it was consuming most of what he had. His face was wet. The sky above him was the ordinary blue of late afternoon.

He lay there and thought: Is that what it's supposed to feel like?

He thought about the void about everything it had told him while he was sinking in the dark. He turned it over slowly, like something that had washed up on a beach, examining it from all sides.

Everything you feel, I feel.

Refreshing, actually, in a horrible way. To know that nothing he'd ever felt had been wasted. That even the worst of it had gone somewhere.

He passed out.

He woke up in a room he recognized.

The Xavier Institute. Repaired, or partially, some rooms were rougher than others, plaster still chalky at the corners, the particular smell of recent construction. Outside the window, it was overcast. Late morning.

He stared at the ceiling and took inventory. Arms: present, functional, probably. Face: sore in a generalized way that suggested recent reconstruction. The rest of him: tired in a way that sleep hadn't fixed.

Jean.

He remembered the Phoenix leaving. Not an exit, more like a withdrawal, a vast tide pulling back from a shore. He didn't know what that meant for her.

The door opened.

Laura and Irma came in together. They stopped when they saw him looking at them both of them with an expression of people who are carrying information they're not sure how to deliver.

"What?" he said.

They looked at each other.

"...How much do you remember?" Irma asked carefully.

"Most of it. Some of it." He pushed himself upright. "What happened to Jean?"

Another look between them.

"Come on," he said.

Irma exhaled. "The Phoenix left her. She's she didn't make it. I'm sorry, Izuku."

He absorbed that. Set it somewhere inside himself and left it there to be processed when he had more capacity for it.

"What else?" Because there was clearly something else.

"Charles wants to talk to you," Laura said. "About everything. He says it'll be easier if he explains it himself."

"Why does everyone look like that?"

"Like what?"

"Like whatever this is, it's going to be the worst thing I've heard today. I just fought Jean Grey across half the planet. I don't think."

"It might be," Irma said honestly.

He looked at the ceiling. Breathed.

"Fine," he said. "Send him in."

Charles came in alone.

He looked at Midoriya for a moment in the way he sometimes did, that specific gaze that felt less like eye contact and more like a very careful listening. Then he folded his hands.

"Are you ready?" he asked.

"After everything I've been through, nothing can surprise me anymore."

"All right." Charles was quiet for a moment, organizing something. Then: "Some years ago, I, along with several others, made a decision. We believed it was necessary. There had been an event. Something that... unmade half of all life in the universe. When it was reversed, when the world's heroes managed to pull back what had been lost, we used a power in the process that we perhaps shouldn't have."

Midoriya waited.

"We altered things," Charles said. "We restructured the way the world worked. People's memories. The shape of daily life. We created something that would make the coexistence of humans and mutants more stable, a world where other people also had abilities. Smaller ones. Less threatening ones. Something that would make us seem less alone." He paused. "We called them quirks."

The word landed strangely.

"Those don't exist," Charles said. "They never did. We fabricated them. We made them real enough that people built their entire lives around having them, and then " He spread his hands. "Your battle with Jean. The forces you two were wielding. It was enough to break what we'd built. The constructed reality is gone. The world you've been living in for the last several years," He stopped. "Parts of it were real. Parts of it weren't."

Midoriya stared at him.

"The memories you have," Charles continued, carefully, "from before all of this, some of them are from that other timeline. The one before we changed things. They've been bleeding through. The people you know expect them to be different now. Some older. Some changed in ways that don't match what you remember." He held Midoriya's gaze. "I'm sorry. I don't know another way to say it."

"You changed reality," Midoriya said.

"Yes."

"You changed the entire world. Without asking."

"We believed "

"I was fourteen years old in a courtroom." His voice was still. "I had a life. I had a city I came from. I had a school I wanted to go to." He looked at Charles. "And you're telling me that parts of that were.

"Some of it was real," Charles said quickly. "The people in your life were real. Your feelings were real. The things you did were real." He paused. "The framework we built around it, the world that made it feel normal, that's what's gone."

Midoriya sat with it.

The void was quiet inside him. Patient.

He thought about Mutant Town, about the way it had felt to be nobody for six months. To fix cars and paint walls and teach kids sign language and dance badly at outdoor dinners and feel, for the first time in his life, that the world wasn't specifically his problem.

He thought about the courtroom. Age fourteen.

He thought about Jean Grey, and what she'd looked like the last time he'd seen her, and what the Phoenix had sounded like when it spoke through her mouth.

He stood up.

"I'm going back to Mutant Town," he said.

Charles looked at him.

"I'll process this," Midoriya said. "But I need to be somewhere that doesn't feel like the world is ending first." He moved toward the door. "Don't put anything else in my head. Don't try to stop me. And when you're ready to actually tell me the truth, all of it, come find me yourself."

He walked out.

The hallway was quiet. The afternoon light came in sideways through the repaired windows.

He put his hands in his pockets and kept walking.

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