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Prologue: The Choir Of Silence

"God died screaming… and no one heard him but us."

— Unknown Resonant, recovered recording. Date: [REDACTED]

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They say the world ended on a Thursday.

It wasn't judgment day. It wasn't an alien invasion. There was no televised warning or countdown clock. No warheads in the sky. No message from God.

It came with a silence so absolute it erased the concept of sound itself.

At exactly 12:13 PM GMT on June 12, 2035, the world experienced what experts would later call the Global Null Sync—a planetary anomaly where time and light flickered. Most people didn't even notice it. But satellites crashed. GPS systems glitched. Hundreds of planes blinked off radar for 0.0000027 seconds.

And in certain places—Dresden, Osaka, Lagos, Vancouver—it lasted longer.

Much longer.

Survivors described it as an eternity. Some said they were trapped in a loop. Others remembered standing in an empty city where their shadows whispered back. A few remembered nothing at all—as if their minds had skipped ahead like a broken tape.

Most... never returned.

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The First Epitaph

Three days later, something impossible appeared outside Dresden:

A structure, floating above the ruins. Twisting geometry. Jagged monolithic stone, engraved with symbols not of any known human language. It had no shadow. Birds would not fly near it. Electronics failed in its presence.

It became known as the first Epitaph.

Soon, more followed.

Wherever they emerged, cities vanished. Entire populations disappeared without a trace—no screams, no fire, no signal. Just a blank crater in space where the world had been edited out.

Each time, an Epitaph stood in the center. Silent. Imposing. Untouchable.

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Null Zones & the Beginning of Fear

The United Nations declared these sites Null Zones. Military forces deployed with drone units and recon squads. All attempts to destroy the Epitaphs failed. Weapons had no effect. Nuclear strikes were absorbed. Prayer yielded nothing. Science fell silent.

Each new Null Zone was treated like a death sentence.

No one came back from them.

Until someone did.

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Subject 001: Asher Vane

On July 4th, 2037, a fifteen-year-old boy emerged from the heart of the Dresden Null Zone. Alone. Bleeding. Eyes hollow. Dressed in a tattered school uniform soaked in blood that didn't match his DNA.

Medical analysis confirmed this: Asher Vane had been clinically dead.

Time of death: 12:01 AM.

Time of revival: 12:08 AM.

Cause of death: complete cellular shutdown.

No mechanical resuscitation. No external catalyst. He simply... stood up.

And he wasn't alone.

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The Thing That Came Back

The boy's right eye was permanently sealed behind a leather patch. Attempts to remove it caused localized blackouts in the area. Electronics failed. Lab rats in the same room suffered aneurysms. Recording devices distorted.

More worrying was what he knew.

Asher spoke of Epitaphs in ways no one should. He described the sensation of "falling upward" into a place where memory bled, and sound became shape. He spoke in fragments. Sometimes not in his voice.

The Cathedral of the Fourth Choir took him in, labeled him Resonant Class Omega, and sealed the records.

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Truths Buried

What the world was told:

Asher Vane is a mentally unstable survivor suffering trauma-induced hallucinations.

What the Cathedral recorded:

Asher Vane may be the first human to make direct contact with the Choir Above.

What the Choir Above is… remains unknown.

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Excerpt from Declassified Audio Log [FOURTH CHOIR – LEVEL BLACK]

Interrogator: "You said it wasn't a god."

Asher Vane: "It wasn't. It was a funeral. For something older than light. And the Epitaphs… they're the tombstones."

Interrogator: "Tombstones for what?"

Asher Vane: "...For us. We already died. The world just hasn't caught up yet."

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